"I think the dubstep that has come over to the US, and certain producers — who I can’t even be bothered naming — have definitely hit upon a sort of frat-boy market where there’s this macho-ism being reflected in the sounds and the way the music makes you feel. And to me, that is a million miles away from where dubstep started. It’s a million miles away from the ethos of it. It’s been influenced so much by electro and rave, into who can make the dirtiest, filthiest bass sound, almost like a pissing competition, and that’s not really necessary. And I just think that largely that is not going to appeal to women. I find that whole side of things to be pretty frustrating, because that is a direct misrepresentation of the sound as far as I’m concerned."
From my interview with James Blake in this week’s Phoenix. I particularly recommend reading up to the last two questions where he talks about covering female pianists (Feist, Joni Mitchell) in the ‘American frat-boy dubstep market’. (His words not mine.) He was really stoked on talking about this.
Interview: James Blake’s dub soft-shoe | September 30th, 2011 | The Boston Phoenix .
Disclosure feat. London Grammar - Help Me Lose My Mind
SOLANGE - LOSING YOU (by solangeknowlesmusic)
Lana Del Rey - Young & Beautiful (Kulkid remix)
you’re the only image in my mind
Summer is only the unfulfilled promise of spring, a charlatan in place of the warm balmy nights I dream of in April. It’s a sad season of life without growth…. It has no day.
—F. Scott Fitzgerald, This Side of Paradise (via starrynightsandsunnymornings)
Class Actress - Journal of Ardency (by TerribleRecords)